For many Puebloans, it may be hard to believe, but the 21st century edifice that landed square in the middle of an aging and ignored Santa Fe Avenue more than a half century ago has matured, turning into what is inarguably the arts and cultural jewel of southern Colorado.
In a state where the cultural focus is most often fixed on Denver and the metro area, Pueblo’s Sangre de Cristo Arts and Conference Center has distinguished itself for its imaginative approach to everything from top level art exhibits to a nurturing center for a kaleidoscope of dance, creativity and artistic curiosity.
Opened in 1972 and clustered in a concrete meadow featuring an interstate highway, a long past its prime city arterial and an aging neighborhood, the center has matured bothquietly and gracefully, going from ingenue to cultural north star. Today, it runs under the guidance of CEO and Pueblo native Andy Sanchez.
While Sanchez now occupies the center’s proverbial corner office, he has been connected to the Sangre de Cristo for most of his life. “I was younger than ten-years-old,” he recalled, “when my mother gave me permission to be part of an adult drawing class.” In one way or another, save his time away from the city to earn a graduate degree at CU-Boulder, he has been tethered to his hometown and the center.
In Pueblo, Sanchez has been involved with the city as both a businessman and booster. Prior to his appointment as CEO, a position he held first as interim, he sat on its board of trustees for six years. He said with a degree of pride in his voice that he was announced as its chief executive “on Cinco de Mayo 2023.”
Like an ocean liner, the center has course corrected numerous times over the years, adapting to both economic conditions and community wants and needs. But, he says, it has remained true to its core principles. These principle, Sanchez says, remain “to create artistic, educational and cultural experiences for everyone and we have been delivering for 52 years.”
The Center’s latest effort to share its gifts with Pueblo is the showing of documentarian Ken Burns’ “Leonardo da Vinci,” on Thursday, August 22nd. The showing is in conjunction with Rocky Mountain PBS. It will also show simultane- ously in Grand Junction.
The documentary will highlight the life of an amazing genius of a man, born out of wedlock who went on to create some of the Renaissance’s greatest works or art as well as showcase so many of the fantastic and futuristic ideas he had about science and technology. The four-hour film will debut nationally on September 18-19 on PBS.
The da Vinci film, said Sanchez, is only a single facet of the southern Colorado jewel’s contribution to regional arts and culture. “Over the years,” he said, the center has grown mightily “through the tenacity and planning of our stakeholders.”
In June 2022 the center hosted “Da Vinci: Machines and Robotics,” an exhibition that featured more than 60 recreations of the Renaissance master’s drawings and robotics. Over the period of his life, da Vinci put to paper ideas of armored cars, submarines, machine guns and parachutes.
“Our emphasis was on STEM,” said Sanchez. Through STEM—science, technology, engineering and mathematics—he suggested, “we were able to reflect on da Vinci’s impact and artistry in time.”
Though the selection of Santa Fe Avenue as its home may once have been thought odd, Sanchez said it has worked out well. “When people come here, the majority of them are from around the state.”
Getting off the nearby I-25 First Street exit, it’s easy to find the center. “People can come here and see just what is here; the arts, the artisans, everything that Pueblo is all about. It’s a no-brainer.”
For locals, especially the city’s students, the Sangre de Cristo is a magnet for the arts. “We have a great partnership with the schools,” Sanchez said. But beyond Pueblo, Sanchez said there is also a concerted effort to share the center by reaching out to surrounding counties to come into the city to see what is showing.
The Sangre de Cristo is currently showing the ‘Portrait of Nature: Myriads of the Gods’ exhibit. The showing runs through January 11th. In addition it also has a permanent Helen Thatcher White Gallery, the Buell Children’s Museum and schools of art and dance. The Thatcher White Gallery holds the country’slargest Gene Kloss collection.
Kloss, who died in 1996, is world renowned for her art depicting cultures of the Southwest, with a special emphasis on Native American and early Hispanic communities.
For more information on the Sange de Cristo Arts and Conference Center including booking space for special events, call 719.295.7200. The center is located at 210 N. Santa Fe Avenue.















Harris as emerging a new face of America
Kamala Harris as a successful candidate for President of the United States follows, to a certain extent, the racial footsteps of Barack Obama as well as breaks new gender ground previously attempted unsuccessfully by Hilary Clinton. This historic attempt along with that of Obama is part of a 21st Century legacy that is is literally changing the face of political leadership in America.
Much of the social and political turmoil we are seeing, including the Trump phenomenon, comes from reactions for and against the changing national look of our identifying nature. This century-long portrait modification anticipates greater drama provided by an overwhelmingly large and diverse Latino community that has been working its way from the bottom up.
In our family, we often have conversations about the issue of identity as it relates to a variety of developments that have been part of our history as well as life in the present day. We talk, for example, about Latino immigrants and how they have come to profoundly turning over the landscape of self-image in the community.
Currently, the compelling story of the Venezuelan immigrant experience is being told and retold especially when it includes the dangerous trek across the Panamanian jungle and its episodes of horror. More than that, the Venezuelan experience is among the many immigrant tales from other regions of Latin America that, once here, substantially alter the way the general Latino community looks at itself.
The leadership in the Latino community has tended to respond to every new point of awareness with a label. In my memory, this kind of reaction started back when many Americans of Mexican descent tried to “get way” from, at the time, the pejorative term, “Mexican,” by calling themselves “Spanish” and even prohibiting their children from speaking the mother language.
When President Obama broke the color barrier, he did it as a biracial man in the more common American tradition of being Black and White. Kamala Harris represents a much more complicated variation not only because of a gender breakthrough, but also because her biracial makeup is Black but not White and her parents are immigrants.
As such, Harris represents the next step in this century’s evolving history of change. Aside from political competence and successful public service, Harris portrays the physical image of what could become the new American.
Her upbringing as a child of immigrants has a lot of implications for the Latino community. This community that began as a southwest people of conquered lands and labeled as Mexican Americans has regained much of what it lost in terms of identity, place and certain prominence with the help of the immigrant community.
It is specifically the Mexican immigrant community that helped to bring back a sense of pride in cultural roots, language of the ancestors, authenticity in the prepared food on the dinner table, willingness to work hard, participation in extended family life, building a business, being patriotic and believing in America’s promise. The foundation provided by these values have become the platform for the Latino drive to leadership.
The appearance of Kamala Harris on the political scene can be an important model for Latino participation in politics. Even though Latino ethnic and racial mix is more complex, it provides a road-map to a future in American politics.
Kamala Harris’ campaign means more than a great accomplishment of becoming President of the United States. She also stands to break the traditional limitations of gender and color to possibly model the new face of our country.
The views expressed by David Conde are not necessarily the views of LaVozColorado. Comments and responses may be directed to news@lavozcolorado.com.